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"How can I get my song on the radio?" As music director of Calgary alternative rock station X92.9, this has to be the question I get asked the most.
What’s in a name? Roses, posies and stuff aside, it really is, for the most part, meaningless. Unless it actually means something. To you.
The Calgary Folk Music Festival presents their eighth annual Block Heater Festival, which, like its namesake, keeps your engine purring through the long, cold vagaries of late winter.
It’s daytime on New Year’s Eve, and songwriter/guitarist Alejandro Escovedo and his wife Nancy Rankin are at Milton Riemer’s Ranch Park in the hill country of Dripping Springs, outside of Austin, Texas, ready to go for a hike after Escovedo finishes his interview.
After a series of pandemic-related false starts resulting in a cancelled 2021 festival, and a revised format, multi-weekend festival in April 2022, Calgary’s BIG Winter Classic is back in a big way for 2023, with a stacked roster and guaranteed stellar performances in the doldrum-defeating January music festival format we once knew and loved. 
The end of 2022 is rapidly approaching and as I think back to the year in new music: I am puzzled how, once again, the year’s most commercially successful music was mediocre at best and gawd-awful at worst.
charming Summer Serenades of 2021. Sled Island, Wordfest, and others rolled along without a hitch.
Playwrights/composers: Matt Board, Dan Perrott, Grant Tilly, Jeff Thomson, Jordan Mann and G.F. Handel with Joe Slabe. Music composed and/or arranged by Joe Slabe and Konrad Pluta.
When Ontario author Jason Schneider contacted legendary punk rocker Art Bergmann to write Bergmann’s biography, he wasn’t sure how it would go due to the many stories about the artist’s wild ways and crusty demeanour. 
Meet Me In the Bathroom, the documentarized version of Lizzy Goodman’s 2017 oral archive of the late '90s/early aughts trajectory of New York rock ‘n’ roll revivalists like The Strokes, Yeah Yeah Yeahs, TV on the Radio, Interpol, and LCD Soundsystem, though impressive for the sheer scale of its “you had to be there” found footage, might be better served as a visual companion to the book.

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