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The end of 2022 is rapidly approaching and as I think back to the year in new music: I am puzzled how, once again, the year’s most commercially successful music was mediocre at best and gawd-awful at worst.
charming Summer Serenades of 2021. Sled Island, Wordfest, and others rolled along without a hitch.
Playwrights/composers: Matt Board, Dan Perrott, Grant Tilly, Jeff Thomson, Jordan Mann and G.F. Handel with Joe Slabe. Music composed and/or arranged by Joe Slabe and Konrad Pluta.
When Ontario author Jason Schneider contacted legendary punk rocker Art Bergmann to write Bergmann’s biography, he wasn’t sure how it would go due to the many stories about the artist’s wild ways and crusty demeanour. 
Meet Me In the Bathroom, the documentarized version of Lizzy Goodman’s 2017 oral archive of the late '90s/early aughts trajectory of New York rock ‘n’ roll revivalists like The Strokes, Yeah Yeah Yeahs, TV on the Radio, Interpol, and LCD Soundsystem, though impressive for the sheer scale of its “you had to be there” found footage, might be better served as a visual companion to the book.
Hibernation is a little more entertaining this year and sociable. After a couple of online-only and hybrid events, the 10th edition of the Calgary Underground Film Festival-curated documentary fest, CUFF.Docs, will return to an exclusively in-cinema experience Nov. 23 to 27 at the Globe. 
Each year, the organizers behind GIRAF (Giant Incandescent Resonating Animation Festival) search the world high and low for the most inventive, unique, beautiful, experimental and mind-altering animated films. 
Click, Click, Click. That is the sound of your shoes hitting the hard pavement beneath your feet. You are outside on this cold autumn night trying to get home after a long day at work.
Upon first listen, Calgary’s own Preoccupations could easily have named Arrangements, their fourth studio album, Auspices instead. Even the band’s own name change from the controversial Viet Cong to Preoccupations would have been justly apt had they settled on Premonitions instead.
The world is a negative place. Now, more than ever. People shroud themselves in the darkness and seemingly, purposefully, avoid the light, step into the raindrops, not between, or betwixt.

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